SYNOPSIS: Tananarive Due, a winner of the American Book Award and an Essence and Los Angeles Times bestselling author, brings you her debut short fiction collection! The title novella, Ghost Summer, won a Kindred Award from the Carl Brandon Society (originally published in The Ancestors). This collection includes Patient Zero, The Lake, The Knowing, Herd Immunity, and many other stories.
This book is such an amazing, perfect way to kick off Women in Horror Month. My favorites are the ones set in Gracetown, but none of the stories left me with a 'meh' reaction. ((special mention to Free Jim's Mine, because I started that one, had to get the kids to bed, and then woke up the next morning having somehow sprained my wrist. Couldn't write notes on it, but I *had* to finish it anyway and then read it aloud to anyone who'd hold still long enough)) There's a theme running throughout so many of the stories of children forced to grow up before their time, sometimes to the point of parenting the adults in their lives. The kids in these stories, god; I love all of them. Quotes/Lines (spoilers below!) THE LAKE -- Abbie is very much striking me as the 'too much money and too little sense' type. Who drops $150,000 on a house on a whim?? -- 'But there would be boys at the school, strong and tireless boys, who could help her mend what needed fixing. In her experience, there were always willing boys.' UM. This is setting off creeper-bells. -- 'In retrospect, she was foolish. But in all fairness, how could she have known?' There's just a subtle skin-prickling wariness to the tone of this story that I love. -- 'No rows of desks would mar her classroom' *how do you do, fellow kids gif* -- Dismissing the girls immediately and being way too studious of the boys. The way she's thinking about Derek-- he is sixteen. He's a kid. Hire a goddamn contractor like the rest of us lady -- oh no he's fifteen even worse -- "But you know, Derek, it's easy for people to get the wrong idea if you say you're going to a teacher's house..." His face was bright red now. "Oh, I wouldn't say nothing. I mean...anything." RED ALERT HELL NO I HAVE READ 'GIFT OF FEAR' THIS IS GOING NOWHERE GOOD this kid better make it through okay i stg -- "It's all right if you don't have trunks," she said. "My back yard is private, and there's no harm in friends taking a swim." Where's a gator when you need one -- 'That was what she and Mary Kay had always believed. Anyone who thought differently was just being politically correct. In ancient times, or in other cultures, a boy Jack's age would already have a wife, a child of his own.' The hell is wrong with you?? Is your friend Mary Kay Letourneau? -- HOLY SHIT IT IS -- oh god this ending. GAH. **full-body shudder** SUMMER -- 'Grandmother had passed three summers ago after a stroke in her garden, and now that she was gone, Danielle had a thousand and one questions for her. The lost questions hurt the most.' My grandma passed from Alzheimer's last year, and the truth in this. -- 'Danielle wasn't sure if she was patient and wise, or if she was a tragedy unfolding slowly, one hot summer day at a time.' This LINE. -- 'The baby's legs banged against the crib railings, but Danielle knew her wailing was only for show. Lola was thirteen months old and a liar already.' ...okay, you absolutely need some help before you do something unforgivable. That is PPD rearing its ugly head. -- So her husband suspects she might have it, but she's determined she's too strong for such a thing to affect her. That's such a common, awful trap. -- "Only a fool would buy one of those plots." I love connected short stories. -- *thank you* for calling Odetta. Also hooray for horrifying mental imagery that will never go away, I have never been more glad that my kids are past infancy -- "I bet there's some folks who see it as a blessing in disguise, even if they'd never say so." I had PPD, and I would have. Ohhh, this is gonna unsettle me for *days*. Just picture me holding the book at arm's length as I keep reading. GHOST SUMMER -- 'Later, Davie would wonder why he hadn't realized right then that something was very, very wrong. Had known, maybe, but hadn't wanted to.' Poor kiddo. -- 'Not 'Mommy', he reminded himself. He was twelve years old now. He was going to middle school in the fall, and he'd heard enough nightmarish stories about middle school to know that if any of the other kids heard him call his mother Mommy, he'd come home with a bloody nose every day.' He's not wrong. Middle school = hell on earth -- 'Watching, Davie remembered that Dad hadn't always been a grown man. He'd been a little boy once, just like him, and he looked like a boy again, clinging to his mother in a way he always warned Davie not to cling to Mommy. Mom.' I'm fascinated by whatever ghosts he's looking forward to seeing, of course, but even without the supernatural elements, the human narrative here, this little boy navigating his way to adulthood, is just captivating. -- 'Ignorance was the only mercy he could still do for them.' Bless his little heart he's trying so hard and needs a hug -- 'Neema wasn't just a ghost hunter-- Neema, it turned out, was a kamikaze.' I love this kid too. -- 'She knows, Davie realized. She wants to know if I know too.' *sound of my heart shattering into a million pieces* -- 'But he lay that shotgun on his shoulder and walked away. That's the part everyone forgets.' I'm gonna cry -- 'The secret weighed heavier with each passing moment. But the Timmons boys carried it. They were stronger than anyone could have imagined.' Babies what happened to you oh god -- 'If the three boys weren't hurting, they wouldn't be trying so hard to be heard. But Neema didn't need to have that spelled out. Like all ghosts, they just wanted their story known.' <3 -- "This one time Davie. I need you to grow up very fucking fast." THIS IS NOT GOOD FOR MY HEART RATE -- 'Combined, their feet sounded like an army, and Davie hoped they were.' FREE JIM'S MINE -- so this was where I sprained my wrist and took no notes but just know this story absolutely kicked my ass and it's amazing THE KNOWING -- 'I guess she fells like she'll be all right if she just runs away from it, as if you could run away from your own head.' What a situation. :( -- "Mama, it ain't you. Knowing ain't the same as deciding. TV Guide don't decide what's on TV." This kid is amazing. -- "Telling to hurt somebody is the worst thing a person can do. Even the devil couldn't do nothing worse." ... 'I don't think she can help it. I was only six when she did it to me' Oh look all my sympathy for the mom just evaporated -- 'When you grow up around someone like Mama and you hear about it all the time, you know everybody has a turn, and you just try and find something interesting every day to make you glad it hasn't happened yet.' Ohhh, hon. That's so mature and a position you never should've been put in. I wish you could've stayed with Rosa. LIKE DAUGHTER -- 'So, yes, I understood why Neecy needed looking after. No one else was doing it.' This entire situation is infuriating and heartbreaking. -- 'Neither of them had learned, after two divorces, that people can't be applied to wounds like gauze.' DAMN. AFTERMOON -- werewolf story ahhhhhhhh -- "How did you know about me?" "The music. If you didn't have the genes, all you'd hear was Muzak." Worldbuilding adoration ahoy. (also the doctor's sense of humor is perfect) TRIAL DAY -- 'Bernadette never said these things aloud like an evil stepmother in a fairy tale, but she didn't have to. Letitia knew words were only part of who people were, and usually the least important part.' *fills out adoption papers for yet another fictional child* -- No wonder he shrank in her eyes. Also, the sheer toxicity of her father's relationship... -- "This is one o' them times you got a choice, Letitia. You can do what you want and hope things don't turn out wrong, or you can do what you know will make things right." 1) that is a hell of a line 2) I had a cat named Midnight so I'm just gonna skim from this point on thanks -- OH thank goodness -- 'The sound of that purring engine as it drove away was as sweet as the memory of Daddy's laughter with Brother on the porch that night.' my goddamn HEART help PATIENT ZERO -- 'But Veronica told me the NFL people had a meeting and decided not to have football anymore' This story is going to hit SO hard right now isn't it -- 'I've been staring at my Dan Marino picture all day, and I think the handwriting on the autograph looks like Dr. Ben's. But I'm afraid to ask anyone about that.' Ohhhh kid. -- "People are giving it to each other. They don't usually know they're sick for two weeks, and by then they've passed it to a lot of other people." ...so when was this written again -- Just the little hints of how *badly* things are falling apart outside, brrrrrrr -- 'She said it was the security code for my door. She said she wanted to give the code to me because my buzzer wasn't working, and I might need to leave my room if she overslept and nobody came to bring me food.' This amazing woman, trying to give him comfort and normalcy as best she can. DANGER WORD -- ZOMBIES!! ((normally not my thing, but at this point I would buy a copy of a restaurant menu if Tananarive Due wrote it so I am curious)) -- 'He'd done what he had to do to save the boy, then shut the memories away where they couldn't sneak into his dreams. Then drank enough to make the dreams blurry.' I love you so much sir -- 'Daddy, she'd called him. She hadn't called him that in years.' Oh okay so this is going to be a multiple-tissues story -- His love and practicality with this kid even when he knows the worst is coming I *cannot*. Also going to pick up the two YA zombie novels she mentions in the afterword; neverending TBR list! REMOVAL ORDER -- oh NO not fleas visible like that. We had a regular at the donut shop and you could see the fleas crawling on his white socks when he came up to the counter. -- My grandma was fortunate to never get bedsores, but all the rest of this, having to move her and her screaming in pain and just not understanding why any of it was happening... worst memories. -- 'A gunshot exploded inside the house.' Yeah, I thought that was what he was going to do. Jesus. HERD IMMUNITY -- 'He left a trail of candy wrappers. Chocolate bars mostly, always the minis.' My apocalypse counterpart. -- "People who were careful," he said.' Yeahhh, because everyone else who got sick just wasn't as dedicated to their safety as you are. Jackass. -- Taking the stuffed elephant from the fair, bless -- Ohhhh, I don't want to know what's inside the Rescue Center please do not open the door thanks. -- 'Make sure everyone in your party takes a full cup. Parents, watch your children drink before drinking yourself.' oh god no -- 'Kyle slept on as Nayima pressed her lips to his.' WHAT the HELL. He SAID he wanted you to stay back. No still means no in the middle of the apocalypse, lady-- and what if he actually did get lucky instead of being naturally immune? Slim chance, but not for you to decide. -- 'By dawn, Nayima awoke to the sound of his retching. ... Nausea came first. Nausea came fast.' oh christ, this was told in such a sweet way, trying to find connection in a destroyed world, but really you stalked and murdered a man. Go to hell. -- 'The man didn't turn to look at her as she stood over him and picked through his things.' Go to hell *faster*. Also, I like how he's back to being 'the man' instead of Kyle or someone you absolutely 'can't' live without now that you ignored his explicit wishes and killed him. CARRIERS -- 'Naymia's sleep had turned restless as she aged' Oh, so happy to see you got to have a long life, asshole -- 'She fired once into the dark and hoped she'd hit him. Fucking cats.' I remember you being so happy to see Tango after your grandmother was killed. Is that part of you entirely gone, after everything you went through and everything you *did*? -- ...she named one of her pet cats Tango. I am feeling things against my will here -- 'Of course he did. Toys and gadgets. That was Raul.' Yeah, god forbid the guy like the read, or remember his family and happier times and want to talk about them. Just awful. -- 'She jacked a shell into the chamber. "You could've shot me before I did all that work," Raul said.' Pffffft. -- "She doesn't have one," he said. "What?" "Nobody bothered to name her. In the records, she's called Specimen 120."' noooo, poor baby -- 'Makeup had yet to make a comeback, except the enhanced red lips favored by both men and women. Full of life.' I love this little worldbuilding snippet. -- 'the anecdote about her extracted tooth violated guidelines' Oh, well, we obviously can't have THAT. I wouldn't go anywhere near that place either. -- 'dear Jesus, this angel had Gram's nose and plump, cheerful cheeks' **cries** SENORA SUERTE -- You seem pleasant. Eesh. -- I love the story of how this piece came about. VANISHINGS -- 'A mother should see it first, not last.' So much denial and pain, all through this story.
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SYNOPSIS:
Someone, or something, is haunting the ship. Between mysterious disappearances and sudden deaths, the guests of the Titanic have found themselves suspended in an eerie, unsettling twilight zone from the moment they set sail. Several of them, including maid Annie Hebley, guest Mark Fletcher, and millionaires Madeleine Astor and Benjamin Guggenheim, are convinced there's something sinister--almost otherworldy--afoot. But before they can locate the source of the danger, as the world knows, disaster strikes. Years later, Annie, having survived that fateful night, has attempted to put her life back together. Working as a nurse on the sixth voyage of the Titanic's sister ship, the Britannic, newly refitted as a hospital ship, she happens across an unconscious Mark, now a soldier fighting in World War I. At first, Annie is thrilled and relieved to learn that he too survived the sinking, but soon, Mark's presence awakens deep-buried feelings and secrets, forcing her to reckon with the demons of her past--as they both discover that the terror may not yet be over. Brilliantly combining the supernatural with the height of historical disaster, The Deep is an exploration of love and destiny, desire and innocence, and, above all, a quest to understand how our choices can lead us inexorably toward our doom. It's not often I find a book that's catered 110% to me: historical horror? Check. Romance? Check. Queer characters? Check. THE TITANIC? Check. ((I played Mrs. Widener in a college production of the musical, and this post will forever be one of my favorite things. I LOVE THE RMS CARPATHIA SO MUCH)) Add in that it's written by the same person who wrote one of my favorite historical horror novels ever, The Hunger? Cue me checking the website every day to see if preorders were available yet. It's a beautiful, heartbreaking read, and I loved every minute of it (even when I was mock-yelling at Alma Katsu on Twitter because WHYYYYYYY) This is also one of those books that I can't wait to reread, so that I can spot little hints and foreshadowings and then cry even more. Quotes/Lines: ((spoilers below!)) -- 'Someone once told her that the stars were merely sewing pins, holding the black sky up so that it did not come down on the world and suffocate it.' -- 'She is our only daughter and, despite her frailty, her weaknesses, despite anything she may have done, we love her dearly.' I trust you about as far as I can throw you, Mr. Hebbley. -- 'I shall never forget the last time I saw you, jumping into those dark, icy waters. We thought you had lost your mind, made senseless by the terrible shock of it all. But only you had seen the baby tumble into the water. Only you knew that there wasn't a moment to waste. Annie Hebbley is the bravest girl I have ever known, I thought that night.' Annie. <3 And then to never see the baby again, oh man. No wonder she's hidden herself away. -- 'What they say in the newspapers is true: this is surely the war to end all wars, for we could never surpass its horrors.' *cries* -- Violet Jessop!!!! *Titanic history nerd freakout* -- 'Gotten used to being surrounded, once again, by strange voices and smells and sights, even if she still felt them like a film of cobweb against her skin.' -- "You're coming to us with no nursing experience, Miss Hebbley. In just a few days' time, we'll be in a war zone taking on fresh patients. You have a lot to learn and there's not a moment to spare." Man. :( -- 'Her most important job, Annie quickly sees, is to listen when they want to talk. ... It's nice to be on the other side for a change, the one helping instead of the one being helped.' Sweetheart. <3 -- 'He's not as young as many of the infantrymen, maybe in his early thirties.' Owwwwwwwww. -- 'This is all her fault. Was there something she'd missed when she'd been talking to him before? She can't help but feel she should have known he was about to try to take his life. Should have felt it, sensed the will to live slipping away from him like a visceral loss, like a change in air pressure.' *gives Annie all the hugs and cookies* -- "So, tell me, how was your first day?" Not great timing there, Charlie. -- I *love* time skips in novels, going back and forth in a certain character's life. One of these days I've got to try my hand at it. -- 'The Catholics on staff had been warned to keep their religious insignia out of sight for the duration of the voyage.' Huh. That's something that had never occurred to me. -- Aw, bless, Annie loves this ship so much. -- 'The baby felt comfortable--almost familiar--in Annie's arms, even though she had little experience with infants, having been the baby of the family herself.' ...I'm going to be sobbing uncontrollably by the end of this book, aren't I -- I'm getting the feeling that Dai and Les have something going on, or at least Dai wishes they did? I may just be wishful thinking because hiiiiiiiii constant grabbyhands at representation. -- 'Waves like blue wolves. He could see their white fangs. Were the wolves singing? No, there was a woman who controlled the wolves, a witch of the depths, and it was her song. ... The rail was there and no one was looking and the metal felt cold in his hand when he began to climb.' How does she write something so gorgeous and so creepy at the same time I AM COMPOSED ENTIRELY OF ENVY -- "Look, I know. I heard it, too. It's all right. You're safe now." Dai, you have now moved into my Favorite Character space (Annie is a veryvery close second; she just started getting a little creepy as soon as Mark came into the picture so I'm waiting to see how that turns out) -- "That's enough, Teddy. You should know better than to speak out of turn." *prepares laser eyes* -- Oh yes, such an unconscionable oversight to have only two thousand bottles of wine on board for a week's trip. *boots Lady Duff-Gordon into third class and moves Dai and Les into her quarters* -- 'The other advantage to cocaine is that it is not thought to be addictive, as is laudanum. Better to err on the side of caution.' Oh nooooo, please be okay, Caroline. -- Lillian? **curious** -- 'Sometimes it made her want to cry, this playacting. As if she could still be protected. As if the sickness and hte horror hadn't touched them both.' I deeply need to give Caroline a hug. -- Ondine, that's a beautiful name. And something sea-related, if I'm remembering right. -- 'And then there was the baby. No matter how much help she received, she couldn't avoid the fact that motherhood simply wore her out.' Yep. Hugs. -- 'Caroline had been drawn to her (Lillian) immediately, had envied the intensity of her and of Mark's passion for her. Had wanted--no, needed--to be part of that in some small way.' Are we actually heading for an OT3 (however tragic) in a historical novel that I'm not writing because I will just cry tears of happiness forever. -- Ohhhhh noooo, Teddy! (and man, I keep forgetting that Madeleine Astor was only 18) -- 'Besides, Eliza and this Anne Hebbley looked nothing alike. And yet there was something about the stewardess that unsettled him. Made him feel sad and...guilty. Terribly guilty. A guilt he was unable to escape. He thought he'd made his peace with that. Had served three months at Coldbath Prison for what was, he insisted to this day, an honest miscalculation.' What kind of 'honest miscalculation' did you have with a 13-year old?! Keeping an eye on you, Stead. -- 'She'd rather wait on patients than pernickety rich passengers.' Some things change, but retail remains constant. (that guy going on and on about quail or duck eggs, chicken only if absolutely no other option? I was so proud of her for not whapping him on the head with her tray) -- I need to look up dubheasa. (and I love Annie comforting the poor man who was having a panic attack) -- 'And this time, he belongs to no one else. He is alone. He is hers.' Uh, Annie, sweetie, the creepiness is coming back by the truckload. -- 'It was as though the sea were conspiring in this funeral for the dead boy by conjuring up the fog to hide him from prying eyes. Cossetting him in the softest blanket of cloud for his last journey.' -- 'Rather than comfort her, she watched as his bearded face grew red with fury, the kind that always seemed to be boiling just below the surface of his skin. ... That was the last family picnic with Auntie Riona and Granny Aisling, and Annie wasn't allowed to visit her grandmother ever again.' I knew Annie's dad was a dick. -- 'Mrs. Astor came unaccompanied to our meeting, insisted on coming without her husband. (Note: no evidence of husband's permission. Follow up with him separately?) UGHHHH. Also, Example #381340329 of why when people start talking about 'being born in the wrong decade' I side-eye. -- 'She'd wanted to be there, but John Jacob--Jack, as he liked to be called--had put his foot down. 'You're emotional enough about it...the last thing we need is for you to faint and a servant's funeral.' Time to get the Baseball Bat of Justice ready. -- "It's not like he was your child," Jack said under his breath. And swing -- I really hope the 'g*psy curse' thing doesn't play more of a role than this. Occultism was the big fad, yeah, but... -- "I know you feel bad about Teddy," Jack said. "I quite adore seeing your sensitive side. But you must try to put it out of your mind. All t his melancholy can't be good for the baby." She rolled her eyes. As if he knew what was best for the baby.' Attagirl!! -- 'How he'd gone undercover to purchase a 'hired' girl--a girl of only thirteen, no less--and taken her to a boardinghouse for the night, all in the name of 'research'. His goal had been to expose the ease with which the sex trade was conducted right under everyone's noses, right there in civilized England.' UM. -- 'The kind of people who would call for his public execution if they ever found out the desire he harbored in secret" I KNEW IT. Dai <3 -- 'He made you want whole, impossible worlds. As if wanting Les Williams wasn't impossible enough.' MY HEART -- 'The tale (girl who wore the ribbon around her neck) had always chilled Annie- its taunting nature, the embedded warning, and yet she could never decide what its warning meant. Was it that girls were fragile--fragile as a simple-knotted bow--and must be protected at all costs? Or was it that the only way they may prove their story true was to die for it?' Well damned if that's not a throatpunch of a line -- 'The factory where Lillian spent all her daylight hours burned to the ground, killing nearly every one of the women she worked with.' I understood that reference (couldn't have been the Triangle Shirtwaist, wrong location, but I wonder if this was based on it. Either that or there was a similar incident there because Let The Corporations Regulate Themselves never freaking works) -- 'No, please God. You've just reunited us. Don't take him away from me now. I've been a good girl. It's time for my reward.' Were you by any chance named after Annie Wilkes? STOP. -- 'There was a coldness in Caroline's voice. She had become a different person-- not the vivacious, chatty one who'd boarded the ship two days ago.' Well, given the potential PPD and the definite use of cocaine... -- 'She was fine. Perfectly fine. That left only one alternative.' Annie, whatever you are thinking, quit thinking it. -- 'Maddie's attention was riveted on the pale wraith in the gray uniform making her way through the crowd. That searching empty face with hungry eyes was like something in a mausoleum frieze.' ...that is a disturbing-as-hell mental image and I love how eerie this is. -- 'Even when he hated a con, it still felt good in the moment, to be in it with Les. To be on the same side.' <3 <3 <3 -- "I've barely been married a year and I can't say I recommend it." a) I can understand, given that your wife is on drugs without ever intending to be, but b) he is a stranger; quit complaining about your wife to a stranger. -- "Why don't you have a reflection? Don't you think that's odd?" Does she really not, or is Maddie so paranoid and panicky that she's imagining it? I love the "what's the actual truth" aspect so much but when I actually get the answer it's probably going to break me. -- 'Surely he wouldn't ask for a change (of nurse) if he knew he'd be losing her.' ...what did you do? -- Also quit with anything else but telling him that his kid is alive -- Oh Caroline, honey. She's trying so hard and just doesn't know what her 'medicine' is doing. -- 'The silver watch had been so beautiful, so touching--exactly what he would like to be able to give Dai one day, when he won his first big match in America, perhaps--that he couldn't help but lift it.' Awwwwwwwwwww ((I know, yes, don't steal, but awwwwwww)) -- 'To marry for love sounded incredibly wild and rebellious. She wasn't entirely sure she approved--she'd made her bed, hadn't she?--but it was fun watching someone else try.' I officially adore you, Maddie. -- "Yes, poor little boy. But he was just a servant," Mabel blurted. Cone of shame time, Mabel. -- The fact that Annie reminds Stead of Eliza and Mark of Lillian... -- Dai and Les are breaking my heart they're both trying to protect and help each other in completely opposite ways and please let them have the time to sort this out -- "Who are you conning, Les? Am I just another mark?" sweetie -- 'She's gone and gotten herself pregnant.' Now that's a neat trick... -- 'While he slept, she gently strapped his arms down to the bed so that he could not protest or push her away.' Okay, so there's going too far, going WAY too far, and then wherever the heck you're at right now. -- Oh thank goodness, at least she told him about Ondine surviving. -- 'I dove into the water after her. I helped save the baby.' Did Caroline drown naturally, or did she have help? Because...yeah. -- 'It was more powder than she was supposed to take in one dose, but she gulped it down anyway. A little more now and then, what difference did it make?' :( -- "I'm going to try to patch things up with Caroline. We're going to America to start a new life together--and I'm going to give it a proper go." *cries* -- "You can't pin this on Dai. He was trying to get me to do the right thing. He's a good man. Too good to be friends with the likes of me." These two had BETTER make it I stg -- Annie dammit they told you to stay out -- 'If I were married to Mark, this would be room. My things. My baby. My life.' Yeah. She's gonna kill Caroline. -- 'Caroline had been making Ondine sick. On purpose.' God I want to go into this book and protect Caroline from Annie so bad I know what's coming and noooooo -- "But half the seats are empty." "And we need a couple of your men to row." She wanted to tell him to save his breath; she knew what was needed and would make sure that it got done. Nothing mattered except that she survived. Honor didn't matter, nor chivalry. The story would be written by the survivors, in any case. Stories always were.' I...there are not sufficient words for how intensely I dislike you -- 'Dai would be looking for him for all the good it would do; no one was going to give him the key and even that great sweet lummox would not be able to tear that metal door off its hinges.' YES HE WILL DAMMIT -- MADELEINE omfg I love you so muuuuuuuuch -- "Me, I'm on one of those lifeboats if I have to dress in me grandmother's Sunday best." Understandable. (the reason why I'm pissed at Lady Duff-Gordon and not Les is because of course you'd want to save your own life or the lives of your loved ones. But she made sure that a lifeboat went down half-full. Do your best to get a spot, absolutely, but don't kill dozens (hundreds? I have to look up how many those boats held) to do it. -- "It's going to be hard, but you're going to be fine. I can't see all of the future, but I can see that. You have to be tough for your baby and your husband. They're both depending on you. Now, get into this lifeboat." I love you Les please live -- 'He felt a jostle beside him and there was Dai.' AHHHH <3 -- "Never doubt that I chose you." HEY WAIT NO HELP ;__________; -- 'She turned away, resigned to taking her seat, when a miracle occurred.' Terry Pratchett's quote from Interesting Times comes to mind here: "Whatever happens, they say afterwards, it must have been fate. People are always a little confused about this, as they are in the case of miracles. When someone is saved from certain death by a strange concatenation of circumstances, they say that's a miracle. But of course if someone is killed by a freak chain of events--the oil spilled just there, the safety fence broken just there--that must also be a miracle. Just because it's not nice doesn't mean it's not miraculous." -- "Hang on to Ondine, Mrs. Fletcher, and I'll keep you afloat." She would save them both. No matter what Caroline had done, it didn't mean she deserved to die.' Ohhhh thank goodness. At least poor Caroline's last memory isn't going to be Annie killing her and making off with the baby. -- "The mother is a lost cause. That's damned irresponsible of her. They could all drown." I don't see you jumping in to help, jackass. -- "Hold onto the side," another woman said. "You shall be safe enough." Again, I don't see you volunteering to take turns. -- 'Caroline--sweet Caroline. She says she will help me. Help us. She has asked Mark and me both to move into her home. I will have better care there. And though it is unusual--crazy, even--I am tempted to accept. ... We are both in love with each other and in love with her. It is a wonderful thing.' I'm gonna go live in an alternate universe where everybody lived and they raised Ondine together in an adorable triad thanks -- OMFG THIS JUST GOT WILD -- 'Ever since Ondine had arrived. ... He'd always loved the dark, complex winding of her thoughts, but now they seemed always to tremble at the edge of an abyss.' The idea of trying to make it through PPD before it was acknowledged... -- 'Only then would he tell Lillian about his plan. He didn't want to get her hopes up, not when she had been so black of late.' TWIST THE KNIFE WHY DON'T YOU -- This BOOK. I'm just floored. Also, I think this may have replaced Turn of the Screw for my favorite "unreliable narrator" story and that's a damn hard thing to do. SYNOPSIS: In this masterpiece follow-up to her critically acclaimed short story collection Cruel Works of Nature, author Gemma Amor winds 11 new, hand-illustrated tales of terror. A true artist of atmosphere and emotional horror, Amor's stories bring readers to the edge and dangles them off.Readers will journey to the depths of hell, go on a daddy-daughter date, learn what's locked in Lee's basement, watch a mother battle postpartum depression, eat the world's messiest birthday cake with Brian, and try to survive in the English countryside during the blitz.
I haven't read Cruel Works of Nature yet (eternally behind, that's me), but reading this just bumped it way up in my queue. The stories here are at turns beautiful and horrifying (sometimes both). I *love* the illustrations; they're unsettling and fit the stories perfectly. And speaking of images, Amor has some really wonderful ones in here (the Devil Kid in 'I Am Ghost' and the man next to the desk in 'Have You Seen My Dog?' spring immediately to mind) The foreword explains that 'Justine' includes rape, abuse, and suicidal ideation. And 'The Strangler' deals with postnatal depression. Very grateful to know this going in. ((and I know that some people think warning for triggers will keep people from reading that work entirely, but Justine turned out to be my favorite of the collection, seconded closely by Caleb)) Quotes/Lines: ((spoilers below!)) HAVE YOU SEEN MY DOG? -- "Are you a Doctor?...But you're a woman." UGH one of these guys. -- 'How cruel old age is, I thought, not for the first time. How cruel, and how indiscriminate.' I don't know if this line would've hit as hard as it did if my grandma wasn't in the late stages of Alzheimer's, but...yeah. -- "No, I don't believe you. I think you know something about my dog." Call for help NOW -- "He's dangerous, be careful," I croaked, rubbing my neck. Linda smiled, unconcerned. "So am I, dear" she said, lifting a giant arm and flexing her bicep.' Everybody needs a Linda. -- Aw, puppy! -- Yeah, that guy needs help and the dog needs a safer home asap. -- would you quit sending Linda away she might be able to help you -- 'Offence being the best form of defence' NOT IN THIS CASE will you at least text Linda so she can come with you or so *anyone* knows where you're going?? -- "Well, you're an idiot, Miriam, and I say that as a friend." Seconded. -- AUGH NOPE NOPE NOPE NIGHTMARES FOREVER -- oh Copper, sweetie. And poor Albert, too. I can't even imagine coming fully back to yourself and realizing *that*. PURE WATER -- "That was years ago!" "You gaffer-taped me to a lamppost dressed as a goat and shaved my bollocks." "It was a stag do! That was the whole point!" "In December." "You survived." I can absolutely picture these two idiots and I love them already. -- do not drink from that wtfffffff JUSTINE -- "Don't say it," Justine interrupts furiously. And so the guy proceeds to say it. *eyeroll* -- At least she has her mom. <3 -- 'She rubs at the skinny, pale scars around her slender wrists and feels the full force of her hate coursing through every tiny capillary in her body. She feels as if it will shoot out of her feet and speed through the earth and put roots down far into the ground, and eventually, instead of a woman, there will be a bitter, black, poison tree around which nothing will grow except thorns and weeds.' -- Ohhhhhhh. On the one hand, a smart strategy, but on the other hand god, her poor mom. -- 'Here lies Uriah Dice, she thinks. But not for long.' Make it worth it, hon. If you can. :( -- 'There are bodies, lining the valley.' The descriptions after this are terrifying. -- 'She is in a forest of silent, hanging corpses, the only living thing in the land of death.' -- 'Justine met Uriah at work, or more specifically, at a work party.' okaaaaay we're getting into flashbacks of what happened and I might end up skimming -- 'She did something she wished every day after that one for the rest of her life that she hadn't. She wiped her mouth on the back of her hand...and laughed at him.' Honey, no, none of what happens after this is your fault. More creepy guys at bars should get puked on, honestly. -- 'She packed her things wearily into a plastic crate and made her way down to the underground parking lot' no no no no -- 'CALL ME' ahhhhhh fuck *off* creep -- 'It's a woman's health clinic, with a particular role to serve: that of helping women in trouble. Women like Justine.' No. :( -- 'And she will blame herself.' Why can't I bring you into the real world long enough to hug you -- "This is all your fault," he sobbed. "Yours!" I'd say fuck off and die, but you've succeeded at the second part. God. I hope Justine finds what she needs and gets some kind of finality to all this. I'm gonna need to take a week-long break from reading entirely if this has a sad ending. ((also, the sole flaw I can find in this story is that a lot of description is given to the fact that Uriah is a fat man, and I'm hoping there are fat protagonists later in the book to kinda balance this out)) -- 'She realizes, in retrospect, that Uriah was probably in love with her, in his own, terrible way. Retrospect and hindsight are harmful things, in Justine's mind. They are clubs with which to beat herself when the world turns to black.' -- 'It doesn't matter what she says or what she does, what sentence he is given and for how long he will never, ever accept the truth of his own behavior. In his mind, he is still a boy, and that boy is not to blame. NOT MY FAULT. Suddenly, the words light up like fire in her brain. NOT MY FAULT. Justine swallows, feeling herself fill up with something hot, and powerful, and almost hopeful. It is not my fault, she thinks.' This. Story. From here to the end I was pretty much a crying mess. I AM GHOST -- 'The ritual starts in the bathroom, as many rituals do, with a knife, and a mirror.' ...therapy is sorely needed I think. -- 'Just a simple, clean white bedsheet. One that covers me from head to toe. Memorable, yet faceless. A blank. People don't remember the guy in the sheet. A humble square of fabric. The perfect disguise.' What the hell is he planning to do -- 'I stumble back. My heartbeat slows. The smile is still going. I watch in horror as the top of the kid's head starts to flip backwards like he's a fucking pez dispenser, like someone has cut his head in two with thin, impossibly sharp razor wire' AUGH RAT GIRL -- I thought the illustration for this one would be disturbing af and I WAS NOT DISAPPOINTED -- "Why do you have a girl in your basement?! I thought it was a dog or something! No way. I'm not cool with this, Lee!" Lee ignores him, grinning from ear to ear.' Bash this little creep over the head and get her *out* of there, Timmy. I'm having The Girl Next Door flashbacks and if that's the way this story starts going I'm skipping it sorry -- Okay. I can see where, from a child's perspective, Lee might honestly believe he's doing the right thing in protecting her from curious doctors and scientists and the like. He still worries me, and Timmy definitely needs to stay close and supervise and get her out if Lee goes fully awful. -- 'Lee is the exact opposite of Timmy, sure, but Timmy wonders if he really is a bad kid, at heart. Timmy doesn't get a chance to find out, unfortunately. Neither does Lee. What he gets instead, is a shiny black Audi A4 sedan, driving too fast.' oh *shit* -- 'It is a good thing that there is no mirror.' nnnnnnnnnnnnnn MY BEST FRIEND -- 'And I had to eat, didn't I? What else was I supposed to do? Starve down here?' Yiiiiiikes -- 'It could be a goddamned Wendigo for all I knew, or cared.' Foreshadowing?? -- Yep. -- 'They say that mankind has no other natural enemy, no real predator. They are wrong.' This is me never going into a wooded area ever again. HEART OF STONE -- 'As soon as she tells me this, I realize I hate Giles, even if he is only nine years old. I do not want to compete for Jenny's love. Her love belongs only to me.' Yeahhhhhh, gee, I wonder why Jenny's mom left you. -- Oh, and a restraining order? Nice. But of course you still get visitation, because fuck a kid's safety, right? -- 'So sacred, I wish I could turn her to stone, preserve her like this forever.' If anything happens to this poor kid so help me... -- 'I pocket the number, and try to forget about it, for a while. It's too soon after the last one, really. I should space things out a bit.' how many bodies do you have in your basement -- All right, no, Julie is an asshole (though more garden-variety than whatever the hell he is). You don't upset your kid; she can have two jewelry boxes for pete's sake. -- 'and if she was famous, she would belong to everyone, instead of me. I had to do something to protect her from all that. Didn't I?' Well shit. CELL BLOCK B -- "You don't get shoes on death row, McCready." Well, this bad situation just got worse. -- "Warden's coming! Better hide!" Um, yeah, I'd sure as hell say so. -- Are they in hell? Purgatory? -- "I needed to see...inside him. To see if he was like me." eeeeeeeeep A BIRTHDAY CAKE FOR BRIAN -- my only note for this story is 'AHHHHHHHHHHHHHHHHHH' THE STRANGLER -- 'Later, someone, a person like you maybe, might call it postnatal depression, but my poor kid, my darling boy, my life and soul, who has no idea what postnatal depression is, doesn't give a shit about that. He is having a full-scale toddler tantrum, which is very normal, healthy developmental thing, or so I'm told. I am not having a healthy, normal reaction to it, however.' .............. -- 'And I don't blame the kid, honestly. Because all he needs is his mother. Objectively, I can see that. I can recognize that. I just can't do anything about it.' I don't remember a whole lot from my daughter's first year of life, but I do remember these feelings. -- 'Because it is so hard to love someone so much whilst failing them with every waking breath, failing them so hard you can barely look yourself in the eye anymore, or anyone else, for that matter.' And here come the waterworks again CALEB -- The poor cat. :( -- 'Apparently splintering glass is more dangerous than the bomb blast itself, or so someone told me. Someone is always telling me something. War is a fertile land for gossip.' -- 'He had dirt on his neck and his fingernails were atrocious, black, and ragged. I swallowed back my disgust and surprise, and pushed him towards the table. City folk, I thought, but kept it to myself.' Orrrr traumatized child? The kid's running from a war zone; I doubt a manicure is high on his list of priorities. -- What kind of creepy-ass cat-murdering rituals is Johnny up to while you're busy judging parents who've sent their son away for his own safety? -- 'Is there curse on my farm? First the cat, then the milk, and now the chickens. Because, you see, two things concern me greatly, in relation to that. A boy, who came on the train, a boy who never talks, not ever, not a single word at all. This all started happening around the time he arrived.' Lady... -- I like the doctor; listen to the doctor. -- "Stay with me," she pleaded, and so of course I did. I put my arm around her and watched as she opened the telegram.' :( -- Ohhhh, so now Johnny is stealing hair from your brush. Yes, this is perfectly normal. RUN PLZ -- "Come out," he said in an odd, quiet voice. "Why won't you come out, darling? It's your Edward. I've come back for you." GET A GUN -- I love the ending of this one!! SYNOPSIS:
OTHER VOICES, OTHER TOMBS is an anthology packed with unsettling stories from the finest independent authors in the horror genre. This collection runs the gamut of styles, including everything from literary horror to creepypasta. Ania Ahlborn, Kealan Patrick Burke, Michael Wehunt, Mercedes Yardley, and Gemma Files are widely considered some of the best authors working in dark fiction right now. Also included are stories from NoSleep Podcast legends: Gemma Amor, JD McGregor, and Michael Whitehouse. Anthologies are pretty much my favorite thing: I can take a few minutes between Stuff That Needs Done and read a story, and usually discover a new author or three along the way. This one doesn't disappoint (as soon as I saw Kealan Patrick Burke and Ania Ahlborn this thing was on my Kindle within a minute). My favorites from this one are: The Second Hand by Kealan Patrick Burke The Governess by Ania Ahlborn Fly Away, Little Fledgling by Michelle Garza and Melissa Lason Can We Keep Him? by C.W. Briar And, trigger warning for rape in the third story, Urban Moon. It's a very well-written piece, but it's a difficult read emotionally, so be careful with yourselves. Reactions/favorite lines for each: ((spoilers below)) THE SECOND HAND: -- 'I wish I'd have run to him and hugged him. I wish I'd found any reason at all to stay home with my parents where it was always safe.' -- 'Childhood is about raw wounds, the scars the armor of adulthood.' -- The Friday Night Movie Nights is such a sweet tradition; I love this family. And oh god something so horrible is going to happen the foreshadowing is killing me -- 'Because a truth of which I'd only recently become aware was that for all his hatred of his brother, robbie was slowly becoming him. As sure as a hammer will a nail, his brother's fists were driving meanness into him, and I was as afraid of what my friend would become as much as he feared what Dougie already was.' Yeah sure I wasn't using my heart anyway go ahead and stomp on it. -- the girl in the pond is one hell of a creepy visual no wonder this kid is scared. LISTEN TO THAT FRIGHT KIDDO IT IS TRYING TO KEEP YOU ALIVE -- 'I want to believe I'm overreacting but if so, then why hasn't the girl moved since we got here? If you say fear, okay, she's afraid, but tell me, then: why is the water running up her body instead of down? Fear can't alter physics." GYAH -- HAVING FLASHBACKS TO THE THING NOW THE GOVERNESS -- Oh man, I remember the new-mom panic so hard. -- "Pheebs, you need to relax." Way to be helpful to your upset wife, dick. -- 'Sometimes the night vision would cut out during his staring episodes and when it would click back on, Harrison--with his pupils shining like the eyes of an animal caught in oncoming headlights--would be grinning a disconcerting, toothless smile.' so THAT image is going to haunt me forever -- 'It forced her mind into worst-case scenario mode, because what if the baby had spit up and was now choking to death while lying on his back? What if he'd managed to roll onto his stomach and wasn't able to breathe?" Hello there past me how're you doing? -- oh no open closet door this story is going to give me a heart attack I still have not recovered from Stephen King's The Boogeyman -- Feed your husband to the closet thing sweetie, you'll be better off. -- 'Everything was going to be fine.' *bites nails* -- ((I've heard a lot of wonderful things about Ania Ahlborn but this is the first thing of hers I've actually read; she's stellar)) URBAN MOON -- I want Pen's jacket, it sounds over-the-top and perfect. -- Oh Pen. We'll just send that boyfriend to get eaten by lake-monster-girl from KPB's story. -- The bird imagery in this is very fairy-tale. -- Hey no no just call your husband and say you'll be late do NOT leave Pen there alone -- He seems very nice. WHAT'S WRONG WITH HIM. (hopefully nothing, don't let this be That Kind of story) -- Dammit it is -- Oh shit, no. Come on, there's enough bird references and all in here, at least let her morph into a swan and PECK OUT THEIR EYES -- "This isn't right. It doesn't have any feathers." SWEETIE. -- I will kill Tom and his friend and that officer and the ex and the internet mob and... oh, I know it ends on a more hopeful note but it just fills me with so much impotent rage that that almost doesn't matter, sadly. A CIRCLE THAT EVER RETURNETH -- The this-is-only-temporary mantra even as he settles further and further into his new situation is so unsettling. -- "Who the hell is Brad?" eeeeeeeeeek BURY ME IN THE GARDEN -- Poor Ivy. -- 'for the Crone' File under "this is not gonna end well" -- 'Jefferson would not have cowered under the threat of evil. And if I was intending to honor his courage, then neither should I.' Must. Protect. Small. Child. -- 'If someone must be surrounded, it might as well be with books.' Amen, kid. -- Owen's dad needs shot. I notice Mr. It Had To Be Done didn't offer *himself* for sacrifice THIS IS HOW IT GOES -- Well THAT'S one way to start a story thanks I'm traumatized -- I like that she also ends up on things like General Weird Shit threads. :) -- AUGH it's Invasion of the Body Snatchers but WORSE ((also this is a fantastic apocalypse idea)) -- 'For a century or so, the world was small enough not to be afraid of. It got smaller and faster and faster and smaller, 'til you could hold it in your hand. 'Til you could watch it from morning to night without ever having to go anywhere. That's never going to be true again.' -- 'Humans are amazingly adaptable creatures, which seemed like more of a compliment before I realized, post-Split, it was an equally apt descriptor for rats.' COMFORTABLE GODS -- 'this waiting room of a town' is a great phrase. -- This is going to rev up into extreme body horror isn't it -- I don't quite know what's happening yet but this whole atmosphere is unsettling as HELL -- "I remember myself and I don't care what's in this place. I want to find my husband and go away from here." *heart shatters* -- And the extreme body horror is here IN SPADES hiiiiiii nightmares FLY AWAY, LITTLE FLEDGLING -- 'She never got used to caring for children who were terminally ill, it felt so unnatural to watch their little bodies withering away. It sent her mind to a dark place.' oh look it's time to break for the night -- Okay. Next morning. Fortified by hot chocolate, I press on. -- ohhhhh nooooo Charlotte's the same age as my Kaylee I'm gonna go spike my hot chocolate -- "You're closer to hell than heaven." AAAAA -- "The first time, I took care of my own daughter" Then WHY would they ever assign you to a child's case your bosses suck -- "You're my favorite, Nurse Abbie. I want you to be here when I fly away." **sobbing** -- .....oh SHIT FORGET THE BURNING ISLE -- 'It was Jacob. He must have come back to check on me just before it happened.' oh no. ((and I don't know what exactly's going on here but the concept is 11o% terrifying)) -- Good man, McClusky. -- 'even though we're just following orders' Fuck you Blake. -- "I'm a soldier, son. No time for sentiment. I have to look after my own." Repeat previous judgment call. -- GET HIM KIDDO THREE LANES DEEP -- Ugh, these descriptions already have me feeling overheated and claustrophobic. Traffic jams with AC are bad enough; with none? Nooo. -- At least they don't have small children in the car. *Cujo flashbacks* -- LISTEN TO YOUR SISTER LUCAS -- 'She remembers the body in the trunk of the car.' wait WHAT THE SWITCH -- So a horror take on the Parent Trap. I'm here for this. -- "Abigale...honey, I need you to be honest with me. Where is your sister?" ohhhh dear -- 'Secretly, she wondered how much money she would inherit after this shit-show was over.' Shoulda let your granddaughter kill her, sir. -- 'She held the stuffed bear between them and, for the briefest of moments, Abby thought she saw the ratty old thing nod its head.' NOPE. THE RED ROSE -- "Hey, are you having fun?" she asked. "Loads," Ava replied sarcastically. Oh look it's me trying to socialize in high school. -- 'She needed a clear head. Tonight was going to be special for her regardless..." No wait, probably not me because Ava sounds like she's planning to kill people. -- 'Ava smiled, fingering the paring knife in her back pocket.' Yep, gonna kill people. -- okay there Leatherface YIKES -- This is a really interesting take on the killers-working-together trope. -- 'but unlike most dreamers, Ava didn't hesitate to make the necessary sacrifices.' I suppose that's a very, very generous way of looking at it. -- 'Cindy patted Ava's cheek. "That's right, darling. When you're ready to move the bodies, call me." I love how twisted this is. -- 'I've got you too, she thought.' CREEEEEEEPY (perfect) CAN WE KEEP HIM? -- Penny absolutely needs some consequences for that action, but on the other hand it's exactly the kind of prank that little kids who don't think things through play, and the whole 'you're a devil child' thing is a BIT much. -- "What do they protect us from?" Penny had asked mom after school. "Nothing, darling. It's just superstition." "But why would Dad take our star down? What's wrong with good luck?" "Nothing, but an updated exterior is worth more in resale value than good luck." We'll see how concerned you are about resale value when you have a possessed kid -- 'Mom and Dad did not like her exploring the woods on her own, but she did not like being grounded, which made breaking the rules seem fair.' This is such Kid Logic. Now stop investigating weird animal noises alone Penny, this is how people die in horror movies. -- 'For a moment, Penny thought that the cat's jaw was too loose, and that its mouth was opening in directions that it shouldn't, exposing a surprising number of needle teeth. Then she shook her head and got rid of those weird thoughts. The cat was so cute, and she didn't have any reason for the nervous feelings crawling like spiders down her spine.' YES YOU DO oh man I'm going to have nightmares about this, wake up and see one of my own cats, and die of heart failure. -- Penny, sweetheart. Please talk to your mom. -- 'The wind also played with loose boards on the shed, wiggling them like baby teeth ready to come out in a final, bloody yank.' -- Penny is going to need All The Therapy Forever. ALONE IN THE DARK -- 'It wasn't her first rodeo. She'd long since abandoned feeling guilty for driving with whatever illegal substance inside her system.' Please don't kill/hurt anyone else when you inevitably wreck. -- 'Everything was going to be fine. It was only a little buzz. People get away with this shit all the time.' And Iiiiiiiiiiiiiii would love to smack youuuuuuuuuu -- 'made her start to wish she'd just stayed the night at Em's' gee ya think -- OW MY HEART. |
A WORLD WITH A BLUER SUNMy reviews are set up a little like live-tweets: I write down lines I like/impressions as I read, and then transcribe. Reviews will contain spoilers, but I'll give a warning before they start. Archives
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